![]() Kahl about a future House of Film Cultures, its necessity and possible shape. ![]() The House of Film Cultures sees itself as a place of encounter, exchange and learning.įilm critic Rüdiger Suchsland talks with Viennese architect Gabu Heindl and actor and director R.P. The House of Film Cultures wants to curate all current expressions of film, complement them with concerts, exhibitions and diverse event formats, and explore their future as a research laboratory. With the advance of digitalization, moving images are increasingly moving into space, erasing the boundaries between the film world and the audience and transporting them directly and immediately to other places. As part of the 15th LICHTER Filmfest (May 10 - May 15, 2022), the congress, postponed due to the pandemic, will continue the exciting discussion about the future of European film.įilm has long since become a carrier of knowledge and a way of life, and has differentiated into a multitude of multi-perspective film cultures through video games and video art. This podcast was organized as an online panel as part of the 2nd Congress Zukunft Deutscher Film - Forum Europa in cooperation with FERA (Federation of European Screen Directors). ![]() Topics of the episode: Impact of the Covid 19 pandemic on the European film industry // How does film funding work in Europe? // The need for film education in Europe // Film distribution, marketing strategies and the filmmaker's relationship with the audience // The importance of independent, European filmmakers* in the new digital age // What makes European film work? Klemen Dvornik (FERA Chairman) and Pauline Durand-Vialle (FERA CEO) talk about and discuss these questions with filmmaker Costa Gavras, Rebecca O'Brien (producer and Vice President of the European Film Academy), Lucia Recalde (Head of the Audiovisual Industry and Media Support Programs Unit of the European Commission) and E dith Sepp (representative of EFAD, European Film Agency Directors). ![]() What is to be done now? What challenges do we face as a European community if we want to give our European film culture a future? And how can European film be made accessible to a young audience? The existence of an independent, country-specific and artistic film landscape seems to be threatened more than ever by commercial, profit-oriented large-scale productions. The European film industry has undergone massive changes in recent years, not least due to the Covid 19 pandemic. In the context of the 15th LICHTER Filmfest (May 10 - May 15, 2022), the congress, postponed due to the pandemic, will continue the discussion. This podcast was organized as an online panel as part of the 2nd Congress Future German Film - Forum Europe in cooperation with FERA (Federation of European Screen Directors). Topics of the episode: Dealing with rights and contracts // Impact of the global popularity of streaming providers // Creativity, artistic freedom and industrial independence in the European film industry // Solidarity and community in the European film industry. How should audiovisual authors claim their copyrights and royalties and assert themselves in the commercialized film industry in order to make a living from their profession? In this panel discussion, Klemen Dvornik (FERA Chairman) and Pauline Durand-Via lle (FERA CEO) join Cécile Despringre (SAA, Society of Audiovisual Authors Executive Director), M arc du Moulin (ECSA, European Composer and Songwriter Alliance Secretary General), D avid Kavanagh (FSE, Federation of Screenwriters in Europe, Executive Director) and Ada Solomon (Producer & European Film Academy Deputy Chairwoman) talk about how to guarantee artistic, creative and industrial independence in Europe. However, royalties, fair contract terms and payment are often not a given in this largely commercialized, profit-driven industry. With their international reach and comparatively large production budgets, more and more filmmakers hope to realize their films and scripts together with Netflix and Co. In recent years, streaming platforms have gained enormous popularity.
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